The voice is false

[
piano auto‑tune joni mitchell modality polyphony pain of salvation Emil Jensen trans renaissance analysis desire work technology ful paper music Pergolesi Salvatore Sciarrino auto‑tune music intentionality Owl City isabel sörling zofia william åsenlöf androgyny text identity body vilda kvist baroque Efterklang voice gender svenska judith butler malin holgersson lecture listening Chopin Steve Reich Bach object performance
]