The voice is false

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Efterklang trans paper music identity modality technology Emil Jensen performance androgyny piano polyphony zofia william åsenlöf Salvatore Sciarrino pain of salvation listening auto‑tune judith butler work Owl City object text ful body auto‑tune Pergolesi intentionality desire svenska gender music isabel sörling Steve Reich renaissance Chopin lecture baroque analysis malin holgersson vilda kvist voice joni mitchell Bach
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