The voice is false

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svenska object Efterklang judith butler performance ful isabel sörling androgyny intentionality trans baroque renaissance music identity desire Emil Jensen auto‑tune modality piano vilda kvist Chopin zofia william åsenlöf text polyphony auto‑tune joni mitchell gender analysis malin holgersson Pergolesi pain of salvation voice technology paper music listening Salvatore Sciarrino lecture Steve Reich work Bach body Owl City
]