The voice is false

[
listening voice Chopin desire renaissance intentionality lecture analysis svenska malin holgersson modality joni mitchell zofia william åsenlöf vilda kvist Bach identity music Efterklang body Emil Jensen text paper music Salvatore Sciarrino judith butler Owl City performance auto‑tune baroque Pergolesi androgyny trans isabel sörling pain of salvation ful Steve Reich piano polyphony gender object auto‑tune technology work
]